From Pass Books
Signed Copies of Richard Grant's "The Deepest South of All"
If you are a fan of Richard Grant’s Dispatches from Pluto, there’s great news. Tuesday, September 1st is the publication date of Richard’s newest book, The Deepest South of All: True Stories from Natchez, Mississippi. We have signed copies at Pass Books/Cat Island Coffeehouse.
Many of you may fondly remember Richard’s last visit to our bookstore when he signed and spoke about Dispatches from Pluto. He has promised to visit again as soon as travel is safe and possible.
Natchez, Mississippi, once had more millionaires per capita than anywhere else in America, and its wealth was built on slavery and cotton. Today it has the greatest concentration of antebellum mansions in the South, and a culture full of unexpected contradictions. Prominent white families dress up in hoopskirts and Confederate uniforms for ritual celebrations of the Old South, yet Natchez is also progressive enough to elect a gay black man for mayor with 91% of the vote.
Much as John Berendt did for Savannah in Midnight in the Garden of Good and Evil and the hit podcast S-Town did for Woodstock, Alabama, so Richard Grant does for Natchez in The Deepest South of All. With humor and insight, he depicts a strange, eccentric town with an unforgettable cast of characters. There’s Buzz Harper, a six-foot-five gay antique dealer famous for swanning around in a mink coat with a uniformed manservant and a very short German bodybuilder. There’s Ginger Hyland, “The Lioness,” who owns 500 antique eyewash cups and decorates 168 Christmas trees with her jewelry collection.
We always enjoy it when you visit. Order a Cold Brew and sit on our deck as you begin the first few pages of "The Deepest South of All. - Scott and Sean
In this Issue...
by Anna Bruno
A perfectly paced novel explores grief, love and loss over the course of one eight-hour night in a small-town bar.
by Yusef Salaam , Ibi Zoboi
A powerful YA novel about a Black teen unfairly incarcerated, written by one of the Exonerated Five in collaboration with a National Book Award finalist.
by Peace Adzo Medie
In this winning debut, an arranged marriage exposes a young woman to unimagined riches and a tantalizing taste of freedom, with unexpected consequences.
Review by Subjects:
Charlie Parker and the Language of Jazz
Merriam-Webster explored "Charlie Parker and the language of jazz--the etymology of bebop."
Or have you? Mental Floss found "seven bestselling 19th century female novelists you've never heard of."
"My top five female detectives, real and imagined." (via CrimeReads)
"A 400-year-old 'friendship book' contains hundreds of signatures of historical figures," Colossal wrote.
"Has a savvy school librarian or English teacher snatched a golden opportunity to have a pop" at British Prime Minister Boris Johnson? (via Tes.) Update: Actually, the snarky selection of books on the shelves behind the P.M. during his school speech had been there for six months.
The Fan Brothers Plus One: Collaborative Mischief
The Fan Brothers: (l.-r.) Eric, Terry and Devin
When Toronto-based author/illustrators Terry and Eric Fan, aka the Fan Brothers (The Night Gardener), began thinking about their next book project, they remembered a little drawing their brother Devin had done, 25 or so years earlier, of a genetically engineered half mouse/half elephant. They went looking for the original drawing, and Eric finally found Barnabus peeking up at him from the bottom of a large pasta pot at the back of his storage locker. We checked in with the brothers to hear about their first fantastic and fantastical collaboration as a threesome: The Barnabus Project (Tundra, September 1, 2020).
What special je ne sais quoi does each of you bring to the creative process? A passion, a leaning, an obsession...?
Terry: Devin brings a fresh perspective. I think Eric and I have fallen into a more comfortable rhythm together, so getting a third voice into the mix was definitely an asset, to shake things up a little.
Eric: I guess I am more "big picture" sometimes, while Terry is more exacting and good at drilling down into the details. Devin is also good at seeing a project as a whole, with the added perspective of having kids of his own. I think having kids gives you a keener insight into what they like, and how their worldview skews slightly differently from adults. He used them when we were working on The Barnabus Project as a litmus test for some of our decisions and ideas.
Devin: We're all really different. Eric has a special talent for seeing something in a completely new way. I'll think something is already great, but he's never satisfied and keeps looking and looking at it until something new and often better rises to the surface. Terry has a way of creating visual richness out of an idea and finding depth and texture in seemingly simple images. As for me--even more than having kids, I think I'm still a kid myself, so when I know kids are going to love something, I won't stop fighting for it.
For The Barnabus Project, did you plan how to work together or let it flow organically?
Eric: I think it flowed pretty organically. We all contributed ideas and designs--both story ideas and conceptual ideas around the various characters in the book.
Devin: We didn't plan, but being brothers and having worked together on so many different projects in the past, we didn't really have to. One great thing we all share is the ability to be honest about what's working and what's not, regardless of who did it. I think that is absolutely key for a successful collaboration.
You obviously work well together and the results clearly show that you are simpatico. Were you close as children?
Eric: Terry and I are only a year and a half apart in age, so we were very close as children--almost like twins. Devin is seven years younger and was closer in age to our sister, so they formed a kind of second unit together.
Devin: I always think of us as all being close as kids. I was the youngest and so led the usual life of being picked on and made fun of by older brothers. The exception was annual water balloon fights, when for some reason Terry was always my partner against Eric and a neighbor, which was really cool. Terry and I made the most epic forts with shelves for supplies and a roof made from those plastic orange toboggans. That was the best.
What other kinds of creations (or mischief) did you collaborate on as kids?
Eric: My first collaboration with Terry, somewhat fittingly, was a picture book we wrote and illustrated together in crayon. It was called Many Years Ago and was about dinosaurs. Our mom helped us write out the text and finally stapled it all together for us. She was our first editor and art director, you could say.
Devin: We made some legendary stop-motion films. I loved those so much. We made a lot of failed homemade rocket projects involving hours of scraping the gunpowder off of sparklers. Also, if anyone remembers those Mego action figures, we would make "fireproof" suits for them and then test them on the barbecue. That was pretty great. [Kids, don't try this at home!]
You cram the "perfectly ordinary" street where Perfect Pets is located with fabulous details. Is it reminiscent of any streets you have known?
Eric: Architecturally, it's somewhat reminiscent of one of the neighborhoods where we grew up in Toronto, Leslieville. You see a lot of those same low, midcentury buildings with retail storefronts. We added in a few of our favorite haunts, places that have long since closed: Willow Fish and Chips and John's Italian Cafe (a place I frequented when I was in art college).
Terry: We also populated the street with some of our friends and family, which is always fun.
Barnabus and his friends "always [stick] together" in spite of obstacles. How important is it to the three of you to put across a message to your readers?
Eric: For me it's a fundamental theme of the book: that no matter how different or "imperfect" you are, there are others out there like you. Growing up, I always felt like a bit of a misfit and was bullied throughout high school. Finding other artists and creatives in art college showed me that I wasn't alone.
Terry: There is definitely strength in solidarity and the mutual support of friends. Life will always throw up obstacles and those can be tough to face alone.
Devin: To me the pivotal point is when Barnabus won't leave Project X behind. In addition to sticking together, he sees how important it is to have compassion and to see your own struggle in others.
What's next for you, together and apart?
Eric: Terry and I have two upcoming projects--both picture books we wrote and are illustrating. I also have a wordless text I recently finished that I'm hoping will be illustrated by another illustrator. I've always been curious about being on the other side of that equation, where you cede creative control to someone else.
Terry: Depending on the success of The Barnabus Project, we'd love to do a follow-up to that book as well.
Devin: I have all kinds of ideas spinning in my head about the follow-up to The Barnabus Project, which are suitably top-secret. --Emilie Coulter
Rediscover: Max Evans
Max Evans, whose work "often addressed the challenges faced by men and women coming to grips with the postwar transition of the American West," died August 26 at age 95, the Santa Fe New Mexican reported. Evans drew on his own hardscrabble, hard-living life, which included stints as a soldier in Europe in World War II, a cowboy, a miner, an artist and a smuggler. His first major novel was The Rounders, published in 1960, about "two contemporary cowboys who just want to live, love and avoid trouble, but whose simple dreams are foiled time and again by a rambunctious, impossible-to-tame horse," the New Mexican wrote. His 1962 novel The Hi Lo Country was about two New Mexico cowboys returning home from combat service in World War II. "They are thrust into another battle to save the West they once knew as progress--in the form of larger corporate outfits and trucks--envelops the land." His other books included the 2004 autobiography Ol' Max Evans--The First Thousand Years, written with Slim Randles; the nonfiction Madam Millie: Bordellos from Silver City to Ketchikan; and Bluefeather Fellini, a collection of animal stories.
Evans's last novel, The King of Taos, was published June 1 by the University of New Mexico Press, which wrote, "Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and--mostly--talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion."
His Only Wife
by Peace Adzo Medie
Afi lives in a humble home in the Ghanaian city of Ho with her mother. Since Afi's father died, they are beholden to local businesswoman "Aunty" Ganyo for their jobs, their home and basic necessities like flour. So when Afi's marriage is arranged to Aunty's son Eli, she knows it is an honor, although she feels some trepidation at marrying a man she does not really know. "Elikem married me in absentia; he did not come to our wedding." And so her new life begins inauspiciously in Peace Adzo Medie's arresting first novel, His Only Wife.
Afi's task, according to the powerful Ganyo family, is to win her new husband away from "the woman" with whom he's already had a child, who is perceived to have stolen him away from his family. Afi resents being a pawn, but for her own reasons wishes to build a life of true love and commitment with Eli, whom she finds handsome and kind. She is out of her comfort zone, however, when she is installed in a luxury apartment in Accra, surrounded by food, clothing and modern conveniences she's never known--with Eli still absent.
Medie gives Afi a voice that winningly combines insecurity, wisdom and dignity. Fashion and food contribute to a cultural backdrop. Accra is a cosmopolitan city, while Afi's life in Ho was marked by privation and the importance of social and filial hierarchies. This story of a strong woman in a challenging and changing world will capture readers' hearts. His Only Wife is a memorable novel of personal growth and choosing one's own destiny. --Julia Kastner, librarian and blogger at pagesofjulia
Discover: In this winning debut, an arranged marriage exposes a young woman to unimagined riches and a tantalizing taste of freedom, with unexpected consequences.
by Anna Bruno
The entirety of Ordinary Hazards takes place in one evening at a local bar, "the kind of bar that doesn't exist in cities, a peculiarity of a small town that has seen better days." The lone woman in a ragtag bunch of locals there, Emma banters with the other regulars and dodges texts from her concerned friends, perched on a stool as two versions of herself: "the woman I am and the woman I used to be." As she vacillates between these women within herself, she recalls the career, the marriage, the friends, the son and the ambition that brought her to this precise moment in this bar in this town: 5 p.m. at The Final Final in upstate New York.
From the outset, it is clear that something about this situation is very wrong. That 5 p.m. moment is rife with tension, though it takes the completion of Anna Bruno's perfectly paced debut novel to understand why. Over the course of the next eight hours, through Emma's recollections and her interactions with the rest of the crew at The Final Final, it becomes clear that everything that brought Emma to this moment is now gone. The unnamed feeling bubbling beneath the surface of Emma's night of drinking is grief, and everything that accompanies it: blame, guilt, shame, sadness, anger, despair and a prevailing sense of "if only." Ordinary Hazards is a kaleidoscopic novel of the best variety, spinning into and out of itself as it explores grief, love and loss in ways that will haunt readers long past the last page. --Kerry McHugh, freelance writer
Discover: A perfectly paced novel explores grief, love and loss over the course of one eight-hour night in a small-town bar.
In the Valley: Stories and a Novella Based on Serena
by Ron Rash
In 10 stories--including a sequel to his novel Serena that brings back the notorious villainess Serena Pemberton--poet and storyteller Ron Rash revisits his familiar southeastern hills for tales of avarice and decency, with characters concisely written but unforgettably vibrant.
In "Neighbors," Rebecca Penland is terrorized by former Confederates who arrive at her homestead to claim her provisions, or worse. But it's a truth that she needs to hide, not the salt and meats, and this from the neighbors she relies on to survive. Another war victim from another era offers helicopter rides over a Smoky Mountain region in "Sad Man in the Sky." When a man counts out cash and asks to fly over a remote ridge so he can drop presents for the kids he's forbidden to see, the pilot recalls other children, ones who once fled his chopper. In "The Baptism," the nefarious Gunter pressures Rev. Yates into a winter immersion baptism, speeding up his plot to marry for property. Justice wins.
In "Ransom," a college woman is kidnapped as revenge for her father's pharmaceutical company's practices, with ironic results. Every story has colorful characters and lessons fitting for their times and our own. But perhaps the most evocative is the titular "In the Valley," with Serena Pemberton's return to the North Carolina hills to log every tree and track down the child whose existence threatened Serena's fortune. Reading the novel is not a prerequisite for appreciating the chilling intensity of Serena's legendary malice. --Cheryl McKeon, bookseller, Book House of Stuyvesant Plaza, Albany, N.Y.
Discover: Each story in Ron Rash's collection, set in Appalachia, is a concise tale of human nature, for better or worse.
by Nessa Rapoport
When Eve returns home to sit shiva for her sister, a secret leads her to question what she thought she knew about their respective places in the family in this character-driven domestic drama. Tam was the successful sister; she was a well-known television journalist, married and the mother of two children before she died in her 40s. Eve, conversely, has a dissertation on a niche subject she still has not finished and a long-term relationship that she has kept so determinedly casual that she doesn't consider meeting at the airport, let alone marriage and children. Since they were teens, the one area where both agreed Eve was ahead was as the "sexy" sister. After Tam's funeral, Eve is given a note from her sister revealing something that a lover said to her--something that Eve knows couldn't have been said by Tam's husband.
Evening by Nessa Rapoport (Preparing for Sabbath) is an introspective drama about a woman reconsidering her family mythology. Eve contemplates the mysterious identity of Tam's lover, and who Eve is if Tam was not the devoted wife. And as she spends time with her divorced parents and the rest of her family, Eve also reexamines her conception of her parents' relationship and unearths the secrets of her grandmother's generation. Written in clear and thoughtful prose, Evening will keep readers entranced with the bonds and the competitions between sisters and the questions of what remains when loved ones are gone. --Kristen Allen-Vogel, information services librarian at Dayton Metro Library
Discover: A bereaved woman discovers secrets about her late sister that bring her new perspective on her own life in this intimate novel.
by Leila Rafei
Spring by Leila Rafei adeptly casts the Arab Spring uprising as a backdrop for upheaval in the lives of three ordinary people in her extraordinary debut novel.
In 2011, young people descend upon Tahrir Square in Cairo to demand a new government. "The chant rang out again and again. The people demand the fall of the regime." Sami, an Egyptian university student, dimly registers the protesters in the streets although his classes are canceled because of them. Jamila, a Sudanese refugee, is seeking permanent asylum. The violence in the streets is an enormous inconvenience as she moves around the city. Suad, Sami's mother, watches the uprising on television. As far as she's concerned, "in Tahrir there were only hooligans, young men with too much time on their hands and too little money in their pockets."
Sami breaches Islamic culture by living with Rose, his pregnant American girlfriend. On top of that guilt, he feels no ideological connection with the protesters and initially avoids Tahrir Square. Yet as his relationship with Rose ends along with the regime, he's drawn to it. Suad is a religious woman worried about Sami neglecting his faith. Meanwhile, Jamila cleans house for Sami and Rose, witnessing the privilege that they take for granted. She avoids the revolutionaries--their cause is not her cause--but she can't ignore them, either.
Spring is an impressive debut novel that combines the urgency of literary fiction with the timelessness of historical fiction. --Cindy Pauldine, bookseller, the river's end bookstore, Oswego, N.Y.
Discover: In this extraordinary debut, three ordinary people deal with changes in their lives in the midst of the Arab Spring.
Mystery & Thriller
The Key Lime Crime
by Lucy Burdette
It's nearly New Year's in Key West, Fla., and newlywed food critic Hayley Snow is juggling her new police officer husband, his enigmatic mother, her octogenarian roommate and an assignment to cover a local key lime pie competition. Things get stickier when Claudette Parker, one of the chef-contestants, ends up murdered. A Key West newcomer with a background in haute cuisine, Claudette had ruffled local feathers with her chichi pastries, including a key lime napoleon. But is that a reason for anyone to want her dead? Hayley and her mother-in-law make a surprising--and surprisingly effective--investigative team in Lucy Burdette's 10th Key West Food Critic mystery, The Key Lime Crime.
Burdette brings back the Key West local color that her readers have come to love: crowds of tourists and performers on Duval Street, ranging from drag queens to magicians to tarot readers. Hayley zips around on her scooter, checking out clues and trying to balance her work and personal responsibilities. Her friends and family, including her capable caterer mother and her cat-loving, sequin-wearing roommate Miss Gloria, also make repeat appearances. Hayley's reserved mother-in-law, Helen, is a surprising new addition. At first, she and Hayley seem like oil and water, but Claudette's murder provides an unexpected avenue for them to work together and come to appreciate each other's strengths.
Discover: Lucy Burdette's delicious 10th Key West mystery finds food critic Hayley Snow investigating a chef's murder alongside her new mother-in-law.
The Glass Kingdom
by Lawrence Osborne
With The Glass Kingdom, Lawrence Osborne (Hunters in the Dark) delivers a stylish novel of a woman and a city slowly unraveling. American Sarah Mullins awaits her next move after taking residence in a fading Bangkok apartment tower with only the clothes on her back and $200,000 in swindled cash--if she's not outfoxed by the building's residents first.
Quiet and unassuming, Sarah ingratiated herself as a personal assistant to a revered, elderly author before embezzling cash and fleeing the U.S. While the dust settles, Sarah escapes to Thailand and moves into the Kingdom, a complex of glass towers that once represented luxury and opulence, but now stands for faded glamour, where "the small signs of decay that were everywhere reassured her that here she would be removed from the world's radar." To mitigate her boredom, she joins three women--Mali, Ximena and Natalie--for alcohol and marijuana-fueled poker nights, but it's obvious to the women that Sarah is hiding something. And for two of the Kingdom's ever-present inhabitants--Goi and Pop, a maid and a maintenance worker--secrets are exchanged like currency, and Sarah presents an opportunity.
Osborne suffuses The Glass Kingdom with an atmosphere both ominous and languid. Bangkok is increasingly subject to suffocating power outages and civil unrest, and many of the Kingdom's residents, "squandered and guttering lives piled on top of one another in anonymity," are as trapped as Sarah, the American farang (the Thai term for white people) who thought she could slip by unnoticed. --Frank Brasile, librarian
Discover: In this pitch-perfect thriller, an American woman hiding out in Bangkok becomes an easy mark for the residents of a decaying apartment complex.
by Kate Riordan
The Heatwave by Kate Riordan masterfully explores the complex relationship between a Frenchwoman, Sylvie Durand, and her daughters, the beautiful yet troubled Elodie, who died young, and Emma, a teenager living with her mother in London. Narrated by Sylvie and addressed to her surviving daughter, The Heatwave explores the central mystery in Emma's life: What happened to her older sister and why won't her mother talk about it? What is Sylvie hiding about the family's past at their former Provence home, La Rêverie?
The story begins in the summer of 1993. Sylvie returns to La Rêverie with Emma after a 10-year absence. She is determined to sell the family home despite its charming setting and the abundance of memories accumulated within its sun-scorched walls. The blinding white heat of the sun mingles with the dark smoke of nearby forest fires as Sylvie confronts Elodie's eerie presence lurking at La Rêverie, her shadow cast in the pool's dark jade water. In flashbacks, Sylvie shares episodes of Elodie's destructive, psychopathic personality, her fascination with fire and her dangerous jealousy toward Emma. Eager for distraction, Sylvie finds herself falling for Olivier, the sexy real estate agent who is clearly interested in more than a business relationship.
Riordan (Fiercombe Manor) expertly heightens momentum toward a delectably dark crescendo, bringing the enigma of Elodie's death to a shocking conclusion. Readers who are partial to mysteries set in far-off locales will enjoy the suspenseful escape of Riordan's third novel available in the U.S., an author with the distinction of completing Jane Austen's unfinished work, Sanditon. --Shahina Piyarali, writer and reviewer
Discover: This intriguing thriller explores motherhood demons and the frightening truth that some children are beyond redemption, set in a disarmingly picturesque South of France property bursting with secrets.
Mill Town: Reckoning with What Remains
by Kerri Arsenault
The tiny town of Mexico, Maine, is one only a native could love. But for all the affection she expresses for her roots there, critic Kerri Arsenault writes anything but a love letter in Mill Town: Reckoning with What Remains. Instead, in an imposing work of narrative nonfiction that blends memoir with ecological exposé and socioeconomic analysis, she painstakingly, and often painfully, lays bare the tragedy that has stalked the town's hardworking and plucky, but ultimately exploited, citizens.
At the heart of Arsenault's story--the product of more than a decade of investigation--is the paper mill located across the Androscoggin River from Mexico, in the larger town of Rumford. Opened in 1902 and specializing in the production of coated paper for glossy magazines, the plant provided employment to three generations of Arsenault's family, descended from the proud Acadians, French Catholics who migrated to the area from the Canadian Maritime provinces in the 18th century.
But as Arsenault reveals, the foul odor that persistently blanketed the town was an ill wind. That smell, along with the massive amounts of toxics dumped into the river, triggered concerns about an alarming number of cancer cases that earned the region the unwanted title of "Cancer Valley." One of those victims was Arsenault's father, who died in 2014 after working in the paper mill for 45 years.
Mexico's melancholy story--one that's mirrored today in thousands of struggling small towns across the U.S.--comes to life in Arsenault's sympathetic, but unfailingly clear-eyed, telling. --Harvey Freedenberg, freelance reviewer
Discover: Kerri Arsenault unearths the painful story of Mexico, Maine, the small mill town where she grew up.
The Camera Lies: Acting for Hitchcock
by Dan Callahan
Dan Callahan's The Camera Lies: Acting for Hitchcock offers an insightful, succinct and engaging film-by-film analysis of the master filmmaker's work. This impressive, thoughtful and delightfully opinionated book rivals Donald Spoto's definitive guide The Art of Alfred Hitchcock. The subtitle undersells the scope of Callahan's attention. Yes, it looks at how Hitchcock worked with actors, but Callahan (The Art of American Screen Acting) offers a wealth of information and gossip on how Hitchcock also partnered with outstanding co-writers, editors, composers and cinematographers.
Hitchcock was uncharacteristically modest about working with actors. He notoriously said, "All actors should be treated like cattle." But, Callahan reminds readers, "Hitchcock films are filled to bursting with memorable performances, great performances... and not just from leading players." Jimmy Stewart (who starred in several Hitchcock films including Rear Window) said Hitchcock "preferred to let the actor figure out things for himself. He refers to his method as 'planned spontaneity.' " But if Hitchcock wasn't getting what he wanted, he stepped in. According to Callahan, in Vertigo, Hitchcock told Kim Novak "exactly how he wanted her to say her lines, down to the breath (or lack of it) and rhythm." Although Callahan occasionally points out dated or sexist details in the films, he also explains that Hitchcock's films remain fresh today because he constantly fought against censorship and cleverly snuck a lot of gay and sexual innuendo into many of his films.
Hitchcock buffs will devour this fresh and adroitly written guide. The Camera Lies is an illuminating mixture of scholarly reference and good gossip. --Kevin Howell, independent reviewer and marketing consultant
Discover: The Camera Lies is a fresh and delightfully opinionated film-by-film examination of Alfred Hitchcock's six decades-long career as Hollywood's "Master of Suspense."
Children's & Young Adult
Punching the Air
by Yusef Salaam , Ibi Zoboi
Punching the Air by Ibi Zoboi (American Street) and activist Yusef Salaam of the Exonerated Five tells the unforgettable story of Amal Shahid, a teenager incarcerated for a crime he did not commit. Zoboi and Salaam masterfully join forces in this mesmerizing novel-in-verse. The poems--sharp, uninhibited and full of metaphors and sensory language--quickly establish Amal's voice, laying bare the anger, despair, hope and talent it holds.
Part one of the three-part novel begins with16-year-old Amal in a courtroom awaiting a verdict on his involvement in a fight that left another boy in a coma. Where Amal came from and who he really is do not matter, nor does the truth about what happened that night: the only fact holding weight is that he is Black and the other boy is white. Amal is falsely convicted of aggravated assault and battery. Part I ends as he rides a bus to the juvenile detention center where the rest of the novel is set. In juvenile detention, Amal survives through art and poetry: "I bang out a rhythm/ make the door a drum/ make my fist a mic/ make my words a bullhorn/ make my truth the air."
While Zoboi and Salaam create a young protagonist who is truly exceptional, they simultaneously show that his situation is far from exceptional in the U.S. Amal's interactions with other boys in jail show the disproportionate impact of police brutality, mass incarceration and biased legal systems on Black young men. Amal's experience of abuse by the system, as well as his peers', incites raw outrage, but his artistic self-expression offers a subtle yet significant kind of hope. It is a hope borne of anger, that knows the full depths of injustice and still dreams of a better future. --Sylvia Al-Mateen, freelance reviewer and editor
Discover: A powerful YA novel about a Black teen unfairly incarcerated, written by one of the Exonerated Five in collaboration with a National Book Award finalist.
American Royals II: Majesty
by Katharine McGee
In this riveting sequel to American Royals, Katharine McGee spins familial and romantic tension, dark secrets and political drama around four remarkably motivated young women.
Beatrice Washington, America's first queen, is prepared to assume her deceased father's throne. Congress, however, is "twisting the Constitution" to bar her reign until she marries palace-approved Teddy Eaton, sister Sam's love interest. But Sam has moved on; that is, to fake dating Lord Marshall Davis, hoping to make Teddy jealous. The tabloids pounce on the relationship, "a scandal" because Marshall is Black and the royal family is white. Prince Jefferson's ex, Latinx Nina Gonzalez, is avoiding the royals for exactly this reason. Except she starts dating Jefferson's best friend, an event Daphne Deighton, Prince Jefferson's other ex, orchestrated in her quest to win back the prince--and become a princess. But Daphne's plot is threatened by her friend Himari, who has just awoken from a coma Daphne accidentally caused. As each girl questions her next steps, the royal wedding approaches.
Entertainingly interconnected alliances, romances and betrayals among compellingly flawed characters ignite this series with its indefatigable spark. None of the young women think alike, ensuring that, as their alternating perspective chapters mount with intense revelations, the four transform differently. Grappling with their fears--Beatrice, "most alone when she [is] most surrounded by people"; Sam, "so much less than Beatrice"; Nina, "hardly dar[ing] to want things"; and Daphne, not "real unless someone else's eyes [are] on her"--each girl turns brashly, unhesitatingly into the woman she believes she must become.
With love and rivalries, a heady pre-wedding atmosphere, and a country's future poised to change, American Royals II: Majesty is an indulgently fun escape. --Samantha Zaboski, freelance editor and reviewer
Discover: The American Royals sequel resumes the dramatic story of the U.S. royal family and their friends, foes and lovers as they adjust to life under their first queen and prepare for her royal wedding.